observations – ScienceFiction.com https://sciencefiction.com Science Fiction (sci-fi) news, books, tv, movies, comic books, video games and more... Thu, 16 Feb 2023 21:32:47 +0000 en-US hourly 1 https://wordpress.org/?v=5.4.15 Movie Review: ‘Ant-Man and the Wasp: Quantumania’ https://sciencefiction.com/2023/02/16/movie-review-ant-man-and-the-wasp-quantumania/ https://sciencefiction.com/2023/02/16/movie-review-ant-man-and-the-wasp-quantumania/#disqus_thread Thu, 16 Feb 2023 21:30:18 +0000 https://sciencefiction.com/?p=355777 New beginnings bring new excitement, but also new challenges. Such is the takeaway vibe I got from our advance screening of ‘Ant-Man and the Wasp: Quantumania,’ the kickoff for Phase 5 of the Marvel Cinematic Universe.  Let’s be clear from the get-go: Marvel has been giving us entertaining, high-quality films for a long time now.  Almost 25 years, across dozens of television series, along with short films and literature tie-ins… this juggernaut is no slouch.  Unfortunately, every entry into the series can’t be a home run – and that’s where we need to have some “real talk” about ‘Quantumania.’ The story itself is right in line with what viewers have been given across the over-arching MCU narrative to date: things on Earth appear to be “settling in” a bit post-Blip (although, frustratingly, ‘Quantumania’ still does not reference anything to do with the giant stone Eternal that is now sticking out of the Earth, half-stuck, as shown in the climax of ‘The Eternals,’ with this new film believed to be the 11th property to take place in the MCU timeline set after those events with absolutely zero remarks or tie-ins to it). The story does reference The Blip, of course, as […]

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Fiction Review: ‘Signal Moon’ (2022) https://sciencefiction.com/2022/07/30/fiction-review-signal-moon-2022/ https://sciencefiction.com/2022/07/30/fiction-review-signal-moon-2022/#disqus_thread Sat, 30 Jul 2022 16:39:22 +0000 https://sciencefiction.com/?p=355734 Amazon has been kind enough lately to grace readers with advance copies of select forthcoming titles, and I was lucky to grab a copy of Signal Moon by Kate Quinn, which is releasing wide in August from the streaming giant.  This novella-sized tale will be available in eBook only, but it packs a pretty decent punch into a relatively bite-sized story. In 1943, at the height of World War II, Lily Baines works for her country as a “Wren,” the Y-Station listeners of the British Royal Naval Service tasked with intercepting, relaying, and sometimes deciphering the enemy transmissions they hear over the airwaves.  Armed with receivers, headphones, and their skill to transcribe as quickly as possible, Lily is but one of a team of women stationed at Withernsea on the English shoreline, working daily to do their part for the cause.  Imagine her surprise, then, when she intercepts a truly curious transmission: one coming from a United States Naval officer originating 80 years later, in 2023. This is the main premise the drives this short story from the New York Times and USA Today best-selling author Quinn.  The author is intimately familiar with the 1940s Y-Station setting, having previously penned […]

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Thor Puts The Hammer Down (Literally) In Teaser Trailer For ‘Thor: Love And Thunder’ https://sciencefiction.com/2022/04/18/thor-puts-the-hammer-down-literally-in-teaser-trailer-for-thor-love-and-thunder/ https://sciencefiction.com/2022/04/18/thor-puts-the-hammer-down-literally-in-teaser-trailer-for-thor-love-and-thunder/#disqus_thread Mon, 18 Apr 2022 18:22:57 +0000 https://sciencefiction.com/?p=355719 Marvel’s Phase 4 is officially off and running here in 2022.  One of the biggest questions on fans’ minds – besides what the heck we’re in for in the upcoming ‘Doctor Strange and the Multiverse of Madness’ film set to hit theaters next month – is “what changes are in for one of the last-standing original Avengers, Thor?” Answers to that question and others are undoubtedly forthcoming with the impending release of “Thor: Love and Thunder,” the fourth feature film in the Norse Gods’ franchise and the first on-screen sighting of Thor since his characters’ wild evolutionary ride in the MCU Infinity War/Endgame saga.  Today, Marvel has given us a teaser trailer of the upcoming movie – one that, thankfully, doesn’t give away too much of the film plot-wise but absolutely sets the tone for what we’ll be getting on screen this Summer. Here’s the “official” description directly from Marvel: Here it is. ❤️ + ⚡ Marvel Studios’ Thor: Love and Thunder arrives only in theaters July 8. The film finds Thor (Chris Hemsworth) on a journey unlike anything he’s ever faced – a quest for inner peace. But his retirement is interrupted by a galactic killer known as Gorr […]

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Sony Has Given Us A Second Trailer For ‘Venom: Let There Be Carnage’ https://sciencefiction.com/2021/08/02/sony-has-given-us-a-second-trailer-for-venom-let-there-be-carnage/ https://sciencefiction.com/2021/08/02/sony-has-given-us-a-second-trailer-for-venom-let-there-be-carnage/#disqus_thread Mon, 02 Aug 2021 15:15:20 +0000 https://sciencefiction.com/?p=355630   The sequel to 2018’s Tom Hardy-ed ‘Venom,’ titled ‘Venom: Let There Be Carnage,’ is heading to theaters sometime later this year – Sony’s official press releases say “this Fall,’ but a precise date remains surprisingly unannounced.  Nevertheless, the fine folks at the studio have graced us with a second trailer to view, following up on the first trailer released earlier this year. The first film grossed $856 million at the worldwide box office, making it’s profit estimated around $247 million and being one of the better financial successes of the 2018 theatrical releases.  Of course, here in 2021 we find ourselves in a slightly different world in terms of theater-going and in-person entertainment, so it remains to be seen how this sequel will fare on the big screens – and this uncertainly could possibly be part of what is holding Sony back from announcing an official release date for the film. Regardless, the movie itself seems ready to rock, and if the new trailer is any indication, Woody Harrelson is ready to wreak some havoc in the sub-titular role of Carnage, aka Cletus Kasady  Gone seems to be the curly-red wig Cletus donned in the credits scene of ‘Venom,’ […]

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Check Out The New Trailer And Poster For Marvel’s ‘The Eternals’ https://sciencefiction.com/2021/05/24/check-out-the-new-trailer-and-poster-for-marvels-the-eternals/ https://sciencefiction.com/2021/05/24/check-out-the-new-trailer-and-poster-for-marvels-the-eternals/#disqus_thread Mon, 24 May 2021 14:50:15 +0000 https://sciencefiction.com/?p=355616 After the strangeness of 2020 and its impact on movies and the entertainment world in general, the release slate for the second half of this year is, to put it mildly, jam-packed.  Several films that were meant to make their cinematic debut last year were bumped back – in some cases several times – and in 2021, movie-goers will finally get to see many of these delayed offerings. It makes for a very busy time, and for franchises, it means that many releases are coming to audiences much closer together on the calendar than they normally would.  The perfect example of this is with the ever-expanding Marvel Cinematic Universe; between the scheduled US openings of ‘Black Widow’ on July 9 of this year and ‘Black Panther: Wakanda Forever’ on July 8, 2022, there are a whopping 7 MCU films coming to the big screens, averaging out to a new Marvel movie less than every other month.  (And that doesn’t even count the 4 MCU TV series coming to Disney+ during that time as well!) Smack-dab in the middle of all this is the scheduled release of Marvel’s ‘The Eternals,’ coming to US theaters on November 5th.  Today, the powers-that-be at […]

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Throwback Thursday: ‘Kolchak: The Night Stalker’ (1974) https://sciencefiction.com/2021/05/13/throwback-thursday-kolchak-the-night-stalker/ https://sciencefiction.com/2021/05/13/throwback-thursday-kolchak-the-night-stalker/#disqus_thread Thu, 13 May 2021 20:30:10 +0000 https://sciencefiction.com/?p=355607 Have you ever stumbled across, as an adult, a TV series or movie you used to watch as a kid? Sometimes it fills you with a sense of nostalgia to re-connect with the scenes you remember seeing while you were growing up, but sometimes the experience can also be a rude awakening: can you believe that this sort of thing actually used to entertain you? What were you thinking? There’s always a chance your experience will end negatively instead of positively when re-discovering something from your past that you used to know and love. Recently, I was able to catch up, via the magic of online streaming, with a TV show I watched on the SciFi (now SyFy) Channel during my impressionable years as a young teenager, ‘Kolchak: The Night Stalker’ (streaming for free on the NBC app; available for purchase on the Amazon, Apple+, and Google Play apps). To be clear: when I watched the show in my youth, I was watching it in syndication; the show enjoyed its original short-lived run from 1974-1975, building off the success of two made-for-TV movies about the titular character, Carl Kolchak, a reporter with a penchant for investigating stories of the strange […]

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The God Of Mischief Is ’10 Steps Ahead Of You’ In The New ‘Loki’ Trailer & Photos https://sciencefiction.com/2021/04/05/the-god-of-mischief-is-10-steps-ahead-of-you-in-the-new-loki-trailer-photos/ https://sciencefiction.com/2021/04/05/the-god-of-mischief-is-10-steps-ahead-of-you-in-the-new-loki-trailer-photos/#disqus_thread Mon, 05 Apr 2021 14:54:31 +0000 https://sciencefiction.com/?p=355566 Even with the success of the now-complete ‘WandaVision’ series and the in-progress ‘Falcon and the Winter Soldier’ series, Disney isn’t resting on their laurels or taking it easy when it comes to the future success of the Marvel Cinematic Universe and its forays into interconnected televised content. As a perfect example: coming hot on the heels of ‘Falcon and Winter Soldier’ after that series concludes is the series that may be the most eagerly anticipated of all the Marvel small-screen work, the Tom Hiddleston-led ‘Loki’ mini-series. Seeming to pick up Loki’s story pretty much immediately following when audiences last saw him – opportunistically stealing the Tesseract during the time-hopping chaos of ‘Avengers: Endgame’ – the God of Mischief looks to have gotten himself mixed up with the Time Variance Authority (TVA).  The TVA appears to function as a sort of space-time regulatory force, and from the hints we’ve been given so far, it would seem that Loki’s action have caused some temporal ripples that need ironed out, with the god’s semi-unwilling assistance, of course. From Disney, the “official” description of the series is as follows: Watch Loki—the imperious God of Mischief—who, after absconding with the Tesseract, is a fish-out-of-water when he […]

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Throwback Thursday: ‘Planet of the Vampires’ (1965) https://sciencefiction.com/2021/03/11/throwback-thursday-planet-of-the-vampires/ https://sciencefiction.com/2021/03/11/throwback-thursday-planet-of-the-vampires/#disqus_thread Thu, 11 Mar 2021 17:30:56 +0000 https://sciencefiction.com/?p=355534 At first glance, ‘Planet of the Vampires’ could easily be mistaken for just another kitschy ‘60s sci-fi B-movie.  But those “in the know” revere this movie as one of the very first crossover horror/sci-fi films, a front-runner for great movies like ‘Alien’ and ‘Event Horizon’ and that’s why it’s this week’s Thowback Thursday, ScienceFiction.com’s ongoing column to great science fiction of the past. Filmed at Cinecittà Studios in Rome, the movie features an international cast and was shot by director Mario Bava on a shoestring budget – but Bava did such a great job of making the film look like a big production that you definitely wouldn’t think otherwise while watching it. In the film, two large interplanetary exploration ships, the Argos and the Galliott, respond to a distress signal originating from the unexplored planet Aura.  Upon their attempts to land, both crews become possessed by an unknown force and violently try to kill each other; only through the willpower and efforts of Captain Mark Markary (Barry Sullivan) commander of the Argos, is the Argos’ crew prevented from seriously injuring each other.  Upon traversing the treacherous molten terrain of the planet to reach the now-unresponsive Galliott, Argos’ crew discovers that their comrades […]

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Throwback Thursday: ‘The Black Cauldron’ (1985) https://sciencefiction.com/2021/02/11/throwback-thursday-the-black-cauldron-1985-2/ https://sciencefiction.com/2021/02/11/throwback-thursday-the-black-cauldron-1985-2/#disqus_thread Thu, 11 Feb 2021 16:46:45 +0000 https://sciencefiction.com/?p=355517 Every so often, a company makes a bold, daring, unorthodox, out-of-the-normal-comfort-zone type of move, and it usually either pays off big for them or sends things crashing down in flames.  In the 1960s, Disney was flying high, enjoying a run of success with their animated films that stretched, at that time, three decades long; hits like ‘The Jungle Book,’ ‘101 Dalmatians,’ and ‘Sleeping Beauty’ had the company feeling they could do no wrong.  Then the 1970s came around, and the House of Mouse started to falter with their cartooned family-friendly films: ‘The Aristocats,’ ‘Robin Hood,’ and ‘The Rescuers’ were all successive films that were enjoyable enough, but mostly didn’t land anywhere near the financial and critical successes that their predecessors had.  Execs started to panic a bit, and the decision to try something new and different was officially made: Disney’s first-ever not-totally-family-friendly animated film, their first cartoon movie to ever earn a PG rating (and might have even been PG-13 if not for last-minute edits), ‘The Black Cauldron,’ got the green-light. Loosely based on the first two books in the ‘Chronicles of Prydain’ series by author Lloyd Alexander, ‘The Black Cauldron’ tells the tale of Taran, a young pig-keeper from […]

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Throwback Thursday: ‘The Lost Skeleton of Cadavra’ (2001) https://sciencefiction.com/2021/01/28/throwback-thursday-the-lost-skeleton-of-cadavra-2001/ https://sciencefiction.com/2021/01/28/throwback-thursday-the-lost-skeleton-of-cadavra-2001/#disqus_thread Thu, 28 Jan 2021 18:13:46 +0000 https://sciencefiction.com/?p=355499 It’s no secret that I, like many sci-fi and horror fans, have a special place in my heart for the old, ultra-cheesy, often uber-chintzy “B-Movies” of the 1950s and 1960s. With so many fans of this genre out there, odds are good that at least a few are movie directors, right? And possibly among those few directors, it’s even possible that a couple of them actually make movies that don’t suck, yeah? And of those select individuals, is it feasible that one of them may actually have excellent writing and acting skills as well so that he could fully utilize these skills in tandem with his love of B-Movies to create a brilliant and loving homage to the genre? While The Rolling Stones often remind us that “you can’t always get what you want,” fortunately sometimes you can: writer-director-actor Larry Blamire struck gold with his 2001 release of ‘The Lost Skeleton of Cadavra,’ an amazingly-detailed and lovingly-satiric take on the old B-Movie. I proudly own a copy and have seen the movie many times over; I’m excited to now bring the film to ScienceFiction.com for our Throwback Thursday action! ‘Lost Skeleton’ blends so many “fantastical” elements soften utilized in the […]

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Movie Review: Wonder Woman 1984 https://sciencefiction.com/2021/01/21/movie-review-wonder-woman-1984/ https://sciencefiction.com/2021/01/21/movie-review-wonder-woman-1984/#disqus_thread Fri, 22 Jan 2021 03:04:57 +0000 https://sciencefiction.com/?p=355454 I really wanted to love the new Wonder Woman movie. After all, Diana Prince (Gal Gadot) is a fun and engaging character, particularly in her super-powered Wonder Woman guise. She’s a superhero with heart and compassion, quick to stop the bad guys but just as likely to help a child regain their lost soccer ball or favorite toy. The first film, 2017’s Wonder Woman, was mostly great fun with General Ludendorff (Danny Houston) a suitably epic antagonist that made for a dramatic showdown and goofy but lovable Steve Trevor (Chris Pine) as her love interest. It’s no longer World War I, however, it’s 1984 and the tail end of the Cold War. In Wonder Woman 1984 Diana is an anthropologist at the Smithsonian Institute when she’s not donning her trademark outfit and zipping about DC rescuing women from being hit by speeding cars or tossed off bridges. Her new colleague Barbara Ann Minerva (Kristen Wiig) is envious of Diana’s presence, self-confidence and beauty; she’s a bit of a clumsy goof that people tend to ignore. A shipment of antiques arrives from the FBI with the request that the Smithsonian help identify the individual pieces. Chief among them is a crystal […]

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Throwback Thursday: ‘Reanimator’ (1985) https://sciencefiction.com/2021/01/14/throwback-thursday-reanimator-1985/ https://sciencefiction.com/2021/01/14/throwback-thursday-reanimator-1985/#disqus_thread Thu, 14 Jan 2021 19:42:26 +0000 https://sciencefiction.com/?p=355472 Straight out of the 1980s came ‘Re-Animator,’ an amazing film that somehow took zombies, gore, comedy, and an unknown cast, threw it all together, and created a one-of-a-kind experience for zombie and horror lovers everywhere. H.P. Lovecraft wrote the serialized story ‘Herbert West: Re-Animator’ back in the early 1920s, proving to be stunningly ahead of his time in his descriptions and depictions of re-animating the dead. Even though the 1985 movie we’re talking about here shares the same name and a few characters and locations, make no mistake: this movie is its own entity, brought to life by the writing team and the performances of its cast, most notably the over-the-top personification of the titular Dr. West played to perfection by Jeffrey Combs. ‘Re-Animator’ is, quite simply, a unique movie-watching experience, not likely to be reproduced any time soon, if ever. ‘Re-Animator’ is old-school fun. From the opening scene with it’s one random zombie through the “it’s over…or is it?” ending, the movie keeps the viewer engaged and wanting more. Sure, the look of the film has gotten a little dated, but that’s part of what makes it grand. ‘Re-Animator’ is a great example of a “splatter film” made in […]

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Spoiler-Free Preview: ‘WandaVision’ https://sciencefiction.com/2021/01/14/spoiler-free-preview-wandavision/ https://sciencefiction.com/2021/01/14/spoiler-free-preview-wandavision/#disqus_thread Thu, 14 Jan 2021 17:01:06 +0000 https://sciencefiction.com/?p=355466 Thanks to the fine folks as Disney+, we were granted early access to the first three episodes of the first-ever MCU TV series, ‘WandaVision.’  This is a spoiler-free over-arching review, as we would never want to intentionally spoil anything for our readers!  You’ll find individual reviews of Episode 1, Episode 2, and Episode 3 here on ScienceFiction.com, as they become available to the public. The first thing that jumps out at the viewer upon engaging with the new series is that this is definitely NOT your typical entry into the Marvel Cinematic Universe.  It’s no secret that the previews have shown the episodes with a decidedly “classic TV sitcom” type of vibe, and this is the general format that the show follows, with each episode “taking place” in a different chronological sitcom era, progressing forward through time (at least, through the first trio of episodes, anyhow); the first episode is set in a 1950s type of ‘I Love Lucy’ vibe, with episode two wandering into the ‘Bewitched’ feel of the 1960s, and the third episode moves things smoothly into the 1970s, with some of the televised technological advances that came with that era. A unique point of the series is […]

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Throwback Thursday: ‘Cherry 2000’ (1987) https://sciencefiction.com/2020/12/31/throwback-thursday-cherry-2000/ https://sciencefiction.com/2020/12/31/throwback-thursday-cherry-2000/#disqus_thread Thu, 31 Dec 2020 16:04:25 +0000 https://sciencefiction.com/?p=355459 It’s strange, trying to play the “numbers game.”  Here we are, on the final day of the year 2020, talking about a movie that was released in 1987, that featured a plot that was set in 2017, but referenced the number 2000 in it’s title… it’s enough to make even a mathematician’s head swim! The pursuit for the perfect woman has scattered many men to the ends of the Earth trying to find her. The 1980s were no different, of course – and the sci-fi adventures of the era had a great time trying to envision what the future might be like – even trying to predict the faraway time of 2017… In 1988’s ‘Cherry 2000,’ Sam Treadwell found his “perfect girl” and made her his wife. She tells him everything that he wants to hear, is supportive no matter what he does, is ready for sex in a hot minute, and absolutely adores everything about him. Every man’s dream girl, right? One minor catch about all her perfection: she is literally programmed that way. Unfortunately, when his decades-old sexy love-robot blows a fuse that is darn near impossible to replace in the modern circles of 2017, Sam must hire […]

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Comic Archive: ‘Star Trek the Next Generation/Doctor Who: Assimilation² https://sciencefiction.com/2020/11/18/comic-archive-star-trek-the-next-generation-doctor-who-assimilation%c2%b2/ https://sciencefiction.com/2020/11/18/comic-archive-star-trek-the-next-generation-doctor-who-assimilation%c2%b2/#disqus_thread Wed, 18 Nov 2020 17:40:30 +0000 https://sciencefiction.com/?p=355397 Welcome to the Comic Archive!  There have been so many amazing stories, characters, and series produced from comic book publishers for almost 100 years now; this column will serve to celebrate some of the tales you may or may not know about.  Each week, we’ll take a story arc or trade paperback/collected story from a non-new comic (three years old or further back), and discuss the details with you.   Ah, the time-honored tradition of the crossover.  In the pop-culture world, it’s a way – sometimes, fun and cheeky, sometimes dubious and world-threatening – of bringing together characters, properties, or worlds from two or more franchises to let them interact, collaborate, fight, etc.  It’s usually an affair to remember – hopefully for the right reasons, because it was so darned cool, but sometimes it’s for infamous “OMG that didn’t work what the Hell were they thinking” reasons instead. In 2012, comic-book publisher IDW decided it was high time to combine two of their most high-profile sci-fi properties for a feature event: ‘Star Trek The Next Generation’ and ‘Doctor Who.’  IDW is no stranger to mashing-up two or more of their series, as they routinely do with many of their licensed […]

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